|
OFFICIAL SWING FLING
CONTEST RULES
SWING FLING in a member
of the following competition tours.
If you enter a SWING FLING contest that is part of a tour you
must also follow the tour rules and requirements.
General Rules
- All Competitors must...
* Be responsible for reading, knowing and observing
all contest rules.
* Exhibit good sportsmanship at all times.
* Not use offensive or vulgar gestures, costumes or song lyrics.
* Be at least 16 years old (except in Youth Pro/Am
or Team).
* Purchase a basic weekend pass (except members of
teams).
* Register and pay the entry fee prior to the deadlines.
* Sign a release consenting to unrestricted use of photos, video and names which
may appear in future promotions.
Additionally..
* There are specific times scheduled for competitor floor trials.
See the
schedule
* Relative placement scoring will be used to determine winners. A
chief judge settles scoring disputes. Those decisions are final.
* If there are fewer than 5 entries in any contest, it may be
cancelled or prize payouts reduced.
Strictly Swing & Hustle Contests –
Enter with your partner. The contest DJ picks the music. Different
skill levels are offered. Generally a couple should enter the
highest skill level they are qualified for. Each skill level is a
separate contest. You may only enter one skill level for each type
of dance. Sophisticated is not considered a skill level therefore
you may enter both Sophisticated and the skill level you are
qualified for. Couples dance in heats for 2 to 5 short songs
appropriate for their division with contrasting tempos and styles.
If more than 15 couples enter a division there will be a preliminary
contest followed by a final contest later the same evening. Judges
will evaluate couples based on their demonstration of good social
dancing skills, timing, technique, connection, lead and follow,
presentation, showmanship and skill level.
* Costumes and props are not allowed but coordinating attire is
acceptable.
* Couples must remain in contact unless executing a spin.
* Dancers must maintain their own physical contact with the floor
during partner weight support moves.
* The same partners may not dance together in a strictly contest and
a solo contest of the same dance. Example: The same couple
may not enter both Open Routine and Strictly Swing together. They can
dance in both contests with different partners.
Strictly Swing Contests
5 Levels of Strictly West Coast Swing
competitions are offered.
Novice: For couples with limited or
no competition experience that have never placed 1st in a Strictly
Swing division at a large national competition before.
Intermediate: For couples with some previous competition
experience and success. If either partner has previously won or
placed well in a Strictly Swing contest at a national event you
should move up to this division.
Advanced: For couples with significant competition experience
who are not yet ready to compete in an open division against
professionals for the big money.
Open: For experienced competitors and professionals with
previous competition success at advanced or higher levels.
Competitors who have placed previously in an open professional
division at a national competition must dance in this division. Cash
prizes are offered in the Open level only.
Sophisticated(40+): Both partners must be 40 years of
age or older. Because this is an age requirement and not a skill
level requirement you may also enter another strictly swing contest
at the appropriate skill level if you wish.
Strictly Hustle Contests
5 Levels of Strictly Hustle competition are offered.
Novice (IHDA Level 1): For couples who have limited or no
competition experience who have never placed 1st in a Strictly
Hustle division at a national competition before.
Intermediate (IHDA Level 2): For couples with some previous
competition experience and success. If either partner has previously
won or placed well in a Strictly Hustle contest at a national event
you should move up to this division.
Advanced (IHDA Level
3): For couples with significant competition experience who are
not yet ready to compete in an open division against professionals
for the big money.
Open: For experienced competitors and professionals with
previous competition success at advanced or higher levels.
Competitors who have placed previously in an open professional
division at a national competition must dance in this division. Cash
prizes are offered.
Sophisticated(40+): Both partners must be 40 years of age or
older. Because this is an age requirement and not a skill level
requirement you may also enter another strictly Hustle contest at
the appropriate skill level if you wish.
For
all Choreographed Routine Divisions
* Costumes are encouraged. No props are allowed.
* Choreographed entrances will be counted towards time limits.
* Restarts
are only allowed in cases of:
1. Music malfunction/Technical problem.
2. Wardrobe/Costume malfunction.
3.
Head
Judge stops the couple.
Open
Routine - Any style of Swing or Hustle.
Costumes, lifts, drops, tricks and stunts are allowed but not
required. Routines are danced in solo format. Dance order is chosen
at random and posted prior to the division start time. Music
provided by each couple must be a single track on a clearly labeled
CD at least 2 minutes and no longer than 3 minutes.
* Must
include at least 70% recognizable swing, hustle or hand dance
content.
* Costumes are allowed and encouraged. No props are allowed.
* Lifts, drops, tricks and stunts are allowed but not required.
Rising
Star - This single division includes
all styles of Swing: West Coast Swing, Lindy Hop, Hustle, Shag and
Hand Dance or any other style of popular swing dance. It is for
couples that have limited experience with choreography and do not
want to compete against professionals in the open classic divisions.
Routines are danced in a solo format. Dance order is chosen at
random and posted prior to the division start time. Music provided
by each couple must be a single track on a clearly labeled CD at
least 2 minutes and no longer than 3˝ minutes. If either partner has
previously placed 5th or higher at a N.A.S.D.E. Classic or Showcase
event they are no longer eligible to compete in Rising Star. If a
couple has a total of 3 wins together in Rising Star division at
MADjam, Swing Fling or elsewhere they must move up to an open level division.
* Must
include at least 70% recognizable swing, hustle or hand dance
content.
* Costumes are allowed and encouraged. No props are allowed.
* Lifts, drops, tricks and stunts are allowed but not required.
Pro/Am
Spotlight Division - This single
division is offered for all styles of Swing: West Coast Swing, Lindy
Hop, Hustle, Shag and Hand Dance or any other style of popular swing
dance. Students enter with their teacher and perform a choreographed
routine to music they choose. Couples dance in a solo format. Both
the teacher and amateur's performance is considered by the judges.
Dance order will be chosen at random and posted prior to the
division start time. Music provided by the competitors must be a
single track on a clearly labeled CD at least 2 minutes long and no
longer than 3˝ minutes. Limited to the 1st 10 entries received.
* Must
include at least 70% recognizable swing, hustle or hand dance
content.
* Costumes are allowed and encouraged. No props are allowed.
* Lifts, drops, tricks and stunts are allowed but not required.
Team
Contest - At
least 4 couples performing a choreographed routine. This single
contest combines Swing, Hustle and Hand Dance. Music provided
by each team must be a single track on a clearly labeled CD at least 3 minutes and no longer than 5 minutes.
* Must
include at least 70% recognizable swing, hustle or hand dance
content.
* Costumes are allowed and encouraged. No props are allowed.
* Lifts, drops, tricks and stunts are allowed but not required.
Pro/Am
- Students enter with their teacher.
For this contest, amateurs are defined as someone who does not teach
dancing on a regular, ongoing basis or make a significant amount of
income from teaching. A professional is defined as someone who makes
a significant amount of income teaching or performing dance. Anyone
who has previously competed in open or professional level
competition will be considered a Pro for this purpose. Couples
entering the Pro/Am divisions must have a prior student/teacher
relationship. In Pro/Am divisions only the amateur is evaluated.
Different skill levels are offered. Each skill level is a separate
contest. You may enter 2 skill levels for each dance. Placements
through 5th in each division will be recognized with an award.
Scores will be available through the event website following the
event weekend. Each teacher is limited to a maximum of 5 students
per division. Competitors age 15 and under must enter Youth
Divisions. Couples dance in heats with multiple couples on the floor
at once. The DJ picks the music. Couples dance to about 1˝ minutes
of a song appropriate for their division.
* Costumes and props are not allowed. Coordinating attire is
acceptable
* Couples must remain in contact unless executing a spin.
* No lifts, drops or partner supported moves allowed.
* No choreographed entrances or exits
Pro/Am Music tempo range:
West Coast Swing (100-120bpm), Hustle (100-115bpm)
The following
West Coast Swing Pro/Am divisions will be offered:
Pro/Am, West Coast Swing, Youth (15 and under)
Pro/Am, West Coast Swing, Sophisticated (40+), Female amateur
Pro/Am, West Coast Swing, Sophisticated (40+), Male amateur
Pro/Am, West Coast Swing, Newcomer Male amateur
Pro/Am, West Coast Swing, Newcomer, Female amateur
Pro/Am, West Coast Swing, Novice, Male amateur
Pro/Am, West Coast Swing, Novice, Female amateur
Pro/Am, West Coast Swing, Intermediate, Male amateur
Pro/Am, West Coast Swing, Intermediate, Female amateur
Pro/Am, West Coast Swing, Advanced, Male amateur
Pro/Am, West Coast Swing, Advanced, Female amateur
Youth - For students age 15 and under regardless of previous
dance or competition experience.
Sophistcated - For students age 40 and over regardless of previous
dance or competition experience.
Newcomer
(pre-novice) - This is an entry level division for
students with very little or no previous competition experience. It
is limited to students competing less than 1 year in that dance.
Students who have previously won a contest against 3 or more entries
should move up to novice or intermediate. Newcomer competitors
should exhibit traditional basic figures only. Judges will be
looking for good basic technique, connection, timing and confidence.
Complex variations and elaborate patterns are not acceptable in
newcomer divisions.
Novice - This division is for students with less than
3 years total dance experience and limited previous competition
experience. Students are expected to perform solid basics. Limited
variations are allowed but not required. No leans, drops, or
breakaways are allowed. All material should be recognizable as
familiar, common “leadable” social patterns.
Intermediate
- This division is for students with significant prior
competition and or dance experience. Students are expected to
perform clean basics with variations and musicality. Judges will
consider musical interpretation, showmanship and creativity. If you
want to show off, you should enter this division.
Advanced
– This division is for seasoned competitors who want to get in
front of the audience and judges with their teacher. The just dance
division rules apply and judges will consider everything including
but not limited to: variations, musicality, teamwork, showmanship
and creativity.
The following
Hustle Pro/Am divisions will be offered:
Hustle Pro/Am contests use
IHDA structure and guidelines.
It is your responsibility to know and understand these guidelines.
Pro/Am, Hustle, Youth (15 and under)
Pro/Am, Hustle, Sophistcated (40+), Female amateur
Pro/Am, Hustle, Sophisticated (40+), Male amateur
Pro/Am, Hustle, (Pre-Novice IHDA level 1), Male amateur
Pro/Am, Hustle, (Pre-Novice IHDA level 1), Female amateur
Pro/Am, Hustle, Novice (IHDA level 2), Male amateur
Pro/Am, Hustle, Novice (IHDA level 2), Female amateur
Pro/Am, Hustle, Intermediate (IHDA level 3), Male amateur
Pro/Am, Hustle, Intermediate (IHDA level 3), Female amateur
Pro/Am, Hustle, Advanced (IHDA level 4), Male amateur
Pro/Am, Hustle, Advanced (IHDA level 4), Female amateur
IHDA Pro/Am contest guidelines for Hustle
Level One = Pre-Novice: This level would be simple happy
dancing, back and forth, stay in place, maintaining connection, much
like you might find beginners doing at a wedding. Good for fast
music. For beginners only, people would have to move on after 6
months or a year. Many students would skip this level.
Guide: 3 count rhythm (1 measure patterns only)
Quarter and Half Turns (not exceeding 1/2 turn elements)
Stationary dance
Maintain connection at all times (either right to right hand hold /
left to right hand hold / double hand hold)
Rules: Any pattern can be used as long as the criteria from Level 1
is implemented. There will be no syncopations allowed. Maintain
connection at all times. No traveling. One year Cut-off for
competing in this division.
Suggested patterns: Cross-Body Lead, Wheel, Hesitations, Underarm
Turn Combination (You Go, I Go, You Go), Double Hand Hold Bridges.
(Please note: This list are example patterns, you may use any
pattern you like as long as the rules are maintained.)
Level Two = Novice: This level adds one-and-a-half left turns
and a little more room with NY Walks and a Grapevine, but still
stays in place, with continuous connection
Guide: Any pattern from Level 1
up to 1-1/2 turns with connection (not exceeding 1-1/2 turns)
3 and 6 count patterns (2 measure patterns)
Maintain Connection with Slight disconnect during transitions
(either right to right hand hold / left to right hand hold / double
hand hold)
Rules: Any pattern can be used as long as the criteria from Level 2
is implemented. There will be no syncopations allowed. Maintain
connection at all times unless during transitions (ex: sliding
door). No traveling beyond a 6 count pattern. No consecutive 1-1/2
turns.
Suggested patterns: Leader's Behind the Back Pass, Cross-Body Lead,
Cross-Body Lead with Open Break to Return, Grapevine, Sliding Door,
Cross Body Lead with Inside Turn, Shadow with Comb, Las Vegas, NY
walks. (Please note: these are example patterns, you may use any
pattern you like as long as the rules are maintained.)
Level Three = Intermediate: This level adds rhythmic
diversity with swivels. Also double right turns, consecutive
one-and-a-half turns, and syncopations used for example in Las
Vegas.
Guide: Any pattern from Level 1 and 2
3 and 6 count patterns (2 measure patterns with the ability to
release hold)
Syncopated basic
Extended rhythm (extra 2 beat increments only)
Rules: Any pattern can be used as long as the criteria from the IHDA
Intermediate level is implemented. There will be no syncopated turns
with (+12+3+4) (Ex: no 4-count turn, no continuous turns).
Connection is not mandatory. No traveling beyond a 6 count pattern.
No blind leads. No free spins. Both feet on floor (Ex: no rondes).
No poses and/or holding a beat.
Suggested patterns: Swivels and Variations of Such, Diva Walks, Wrap
Turn Variations, Free New York Walk. (Please note: these are example
patterns, you may use any pattern you like as long as the rules are
maintained.)
Level Four= Advanced: This level is for the seriously
competitive, where an Am would need to place at the Intermediate
level a certain number of times before entering the Advanced level.
Entry in all other levels would be based on the material an Am is
working on. This would contain whatever moves are beyond good
dancers, and would also contain a musical component- dancing to very
fast, and very slow music, both of which develop very different
skills.
Guide: Any pattern
Rules: This division is to better showcase technique, timing, and
styling. NO routines, entrances or exits, lifts, aerials, drops,
dips or acrobatic moves permitted. All patterns MUST be lead and
follow.
Suggested patterns: Fred and Ginger/Pivots, Rondes, Capes, Samba
Turns, Timing Variations, Pop, Snap, Syncopated Timing Variations,
Waltz and any pattern from levels 1-4. All patterns MUST be lead and
follow. (Please note: these are example patterns, you may use any
pattern you like as long as the rules are maintained.)
Patterns that will be penalized: One Leg Turns, Horse and Cart
Variations, Side by Side Combinations, Any TRICK Pattern.
Jack &
Jill Divisions -
There are Jack & Jill contests for many levels of dancers in West
Coast Swing & Hustle. Onsite registration for all Jack & Jill
divisions is limited. The strict entry deadline will be published in
advance. You must enter before the deadline. Jack & Jill contests
allow individuals to enter without a partner and demonstrate skills
in spontaneous dancing with a variety of partners. There is an
inherent “luck of the draw” factor involved. Leaders and followers
are randomly paired. There will be several partner changes during
the preliminary and semi-final rounds. Competitors are scored
individually on timing, technique and teamwork in the preliminary
heats. Those scoring the highest will be called back later to dance
in a final round. In the final, individuals are randomly paired,
then scored as a couple. The DJ picks the music. Tempo and style
will vary. All songs will be appropriate for the dance division
entered. There are significant cash prizes awarded to the winners.
The amounts are based on the number of entries in each division.
* You may only enter 1 level of Jack & Jill per dance (sophisticated
is an exception).
* You may enter different levels for swing and hustle dances.
* Male competitors must enter as a leader, female competitors must
enter as a follower.
* You must
be at least 16 years old
West Coast Swing Jack & Jill Levels
The World Swing
Dance Council Points Registry is used to determine
eligibility for the West Coast Swing Jack & Jill divisions.
Current WSDC points information is available
online and will be available onsite for competitors to
look up which division they qualify for. Competitors are
expected to honor this system. The only way you may enter a
division other than by meeting the points qualifications
below is by petitioning the chief judge or or event director
no less than 48 hours in advance. WSDC registry documents
have been recently updated.
Please read more about the registry.
POINTS REQUIREMENTS CHANGED FOR
2012! PLEASE READ THESE REQUIREMENTS SO YOU ENTER THE
CORRECT LEVEL.
Newcomer -
This where you start! First time competitors and those with
no prior competition success should dance in Newcomer even
if you have entered a Novice contest elsewhere. To enter
newcomer you must be competent with the basics of social
dancing.
You may continue to dance in newcomer until you have earned
10 newcomer points.
Novice - For competitors with some prior
competition success.
• You must have
at least 5 Newcomer points OR have previously danced in a
Novice division.
• Competitors with 15 or more Novice points must move up to
intermediate.
Intermediate
- Requires previous competition success in the
Novice division.
• You must have at least 15 Novice points OR any
Intermediate points.
• Competitors with 30 or more Intermediate points must move
up to Advanced.
Advanced - Requires
previous competition success in the Intermediate division.
• You must have at least 30 Intermediate points OR any
Advanced points.
• Competitors
with 45 or more Advanced points earned within the last 3
years must move up to AllStar.
All-star/ Champions - This contest features the best of the best.
• You must have
at least 45 Advanced or higher level points OR any existing
AllStar points earned in the previous 3 years.
• Competitors who have placed 1st - 3rd in a Champions,
Invitational or professional level contest
at a NASDE competition
within the previous 3 years must dance in the Champions
division.
Sophisticated (40+) - This division
is for competitors over the age of 40. There are no
points criteria for entry and the World swing dance council
no longer tracks registry points in this division. You may
enter Sophisticated and another swing Jack & Jill contest at
the skill level you are qualified for.
Hustle Jack
& Jill Levels Novice, Intermediate, Open, Sophisticated (40+)
Tournament Jack
& Jill coming soon
Competitor Responsibilities
1. Plan ahead. Know the event schedule in advance and arrive in
time to meet our contest registration deadlines. Bring
appropriate competition attire. Be sure to check when you arrive for
any last-minute changes to our schedule.
2. Know the rules. Read the competition rules carefully prior
to the contest. You are responsible for following our rules whether
you have read them or not. If you have questions, you should contact
our Competition Coordinator ahead of time.
3. Turn in your music to the DJ at least 1 hour prior to your
division. Music for routines must be a single track on a CD and
clearly labeled. If you need your music’s tempo altered, started in
the middle of the track or an early fade out, please have someone
edit your music in advance.
4. Be prepared to compete. Be in the ballroom at least 15 minutes
prior to the start of your competition. Remember to bring your
bib number (we will charge you a replacement fee of $10 if you lose
it). If you miss the competition or withdraw after the registration
deadline you forfeit your entry fee. Check in with the competitor
coordinator and make sure your name and bib numbers are correctly
listed on the appropriate competitor heat sheets.
5. Be a good sport. You must demonstrate good sporting
conduct both on and off the competition floor. This includes
treating partners, other competitors, competition officials,
spectators, and the event itself with respect. Demonstrating a poor
attitude by behaving in ways that the judges deem inappropriate will
result in your disqualification. Use only appropriate channels to
communicate your concerns. If you have questions or concerns about
our competitions, use appropriate channels to share your concerns
such as a private discussion with our competition coordinator, chief
judge, or contestant representative. You are not allowed to
pressure, challenge, or argue with the judges. If you harass or
verbally abuse a judge or other competition official, we will
disqualify you and may also ban you from competing at this event in
the future.
Definitions
Acrobatic Movement - Any move where either partner
independently or in partnership passes his/her foot, leg or torso
above and across the vertical plane of either partner's head, or
passes their head through the legs of the standing partner even if
contact with the floor is maintained.
Aerial - A
movement where one partner is lifted by an assisting partner and the
waist of the lifted partner is above the shoulders of the other
partner.
Breakaway - A set of symmetric or complementary movements or
footwork executed by a couple who intentionally break contact
(except for spins and turns), which is not a clearly leadable
derivative of a recognizable swing pattern.
Costumes - Attire which, in the opinion of the judges, is
specifically designed or selected for couples competition and would
not generally be worn for social dancing.
Drop – Movement in which either partner’s head and torso go
below knee level of the other partner.
Entrance - Pre-choreographed segment of a performance, where
competitors formally enter the floor and prepare to dance.
Acknowledging your partner, the judges, or the audience is not
considered an entrance.
Exit - Pre-choreographed segment of a performance, where
competitors leave the floor. Acknowledging your partner, the judges,
or the audience is not considered an exit.
Lifts - Any movement lasting longer than a full beat of music
where the feet of one partner are clearly off the floor and the
other partner supports the lifted partner's weight.
Props - Throw away skirts, shirts, scarfs, etc are considered
props in this context and are not allowed. Anything other than what
would be considered acceptable clothing.
Routine - Any segment, which, in the opinion of the judges,
consists of prearranged choreography including symmetric or
complementary movements or footwork.
Swing Content
- includes West Coast, Hustle, Hand Dance. Lindy hop and Shag.
[Back to top]
Relative Placement Scoring
This is the system
used to determine winners. It was adapted from the figure skating
system and is now widely used at major dance competitions. It
minimizes the impact of a rouge judge's mark and recognizes the most
consistently scored entry. An equal numerical value is assigned to
each Judge's raw scores, so that each Judge has an equal vote in the
final outcome.
A. Number of Judges Needed
-
A minimum of 5 Judges is required for
Relative Placement, but the use of 7 or 9 Judges is recommended.
-
An even or odd number of Judges may be
used for call-backs in the preliminary and semi-final rounds. In
Jack & Jill’s, half of the Judges may judge leaders and half may
judge followers.
-
An odd number of Judges are used in the
finals to minimize the possibility of ties.
B. Preliminary and
Semi-final Rounds
-
In the preliminary and semi-final rounds,
a call‑back system is used. In this system, each Judge selects
individuals (in Jack & Jill’s) or couples (in Strictly Swing,
Classic, Showcase) for call‑back to the next round, but does not
rank them in any particular order.
-
The Scorer converts each Judge's
selections into ordinals: 1 for all those selected, 2 for any
alternates, and 3 for all those not selected. Contestants are
then ranked according to the total number of 1s, 2s, and 3s
received from the judges.
-
The Chief Judge then determines how many
individuals or couples will be promoted to the next round. The
decision is based on returning close to a predetermined percent
of the contestants and/or where the natural break in the rank
occurs.
-
The Chief Judge's scores are used only to
break any ties.
C. Tallying the
Final Placements
-
In the finals, each Judge must place every
couple in rank order (1st place, 2nd place, 3rd place, etc.). In
finals, with a large field of couples, the Judges will
concentrate on placing the top twelve couples.
-
Raw scores (9.5, 8.9, 7.6, etc.) are used
only to determine a Judge's order of placements. If a Judge
submits only raw scores, the Scorer will convert them into
ordinals, (1, 2, 3, etc.) for Relative Placement.
-
Duplicate placements are not permitted. If
a Judge mistakenly provides duplicate placements, the Scorer
will alert the Chief Judge, who will request that the Judge in
question provide unique placements for each couple.
-
A couple must have a majority of Judges'
votes to be awarded a final placement.
-
If no couple has a majority of votes, then
the next placement is added to the previous placements (1st
through 2nd, 1st through 3rd, etc.) until a majority is reached.
-
If two or more couples have an equal
majority, then the numerical value of the ordinals for each
couple is added. The couple with the lowest sum gets the higher
position. If the sums for two or more couples are identical,
then the next placement is added to the previous placements for
those tied couples only.
-
The Chief Judge's scores are used only to
break any remaining ties.
D. Example of
Relative Placement
-
In the example above, there are 6 couples
competing. Because 5 judges are providing placements, a majority
of at least 3 Judges is needed to award any couple a final
placement
-
Here, no couple has a majority of 1st
place votes from the Judging panel. Adding the next placement
and counting 1st through 2nd place votes, only couple #1 has a
majority of at least 3 votes. Therefore, couple #1 is awarded
1st place.
-
Counting 1st through 3rd place votes, only
couple #6 has a majority of at least 3 votes. Therefore, couple
#6 is awarded 2nd place.
-
Counting 1st through 4th place votes,
three couples have an equal majority of 3 votes. When the
numerical value of the ordinals making up those votes is added,
couples #2 and #3 both have the lower sum of 7, whereas couple
#5 has the higher sum of 9. Couple #5 is therefore awarded the
lowest final placement of the three couples, in this case 5th
place.
-
To break the tie between couples #2 and
#3, it is necessary to count 1st through 5th place votes, Couple
#3 has 5 votes, one more than couple #2. Couple #3 therefore is
awarded 3rd place, and couple #2 is awarded 4th place.
-
Couple #4, the only remaining couple, is
awarded 6th place.
|